一个东方年轻美丽女人不紧不慢提起茶壶，手

Midjourney Bot 更新时间：2026-01-25 03:19:23
提示词：A young, beautiful woman from the East raises a teapot leisurely. With a slight pressure of her wrist, a column of water cascades down, rolling and tumbling like snowflakes hitting the cup's wall, producing a soft sound. The tea leaves, colored like tender bamboo shoots, are a light green and turn like swimming fish in boiling water. The water gradually takes on a green hue, with a faint fragrance rising up as the thickness and height of the water column change in an orderly manner. The works mainly feature long, low melodies, excelling at capturing natural light, with a strong contrast between light and shadow. Often, one side of a person's face is illuminated by light while the other is in shadow, or the main subject is in sunlight with the background in shadow. The image has a strong contrast between light and dark, highlighting facial contours, rich in detail, with clear layers that shape the character's three-dimensionality and add depth to the image. The composition features diagonal lines, with vibrant color styles that include cool and warm contrasts; warm tones with high saturation and medium-high brightness, and cool tones with medium-low saturation and brightness. The image presents an impressionistic oil painting texture, conveying laziness and warmth. Using a film style to freeze moments of daily life, the scene combines elegance with the leisure of French countryside aesthetics, creating a warm and serene atmosphere. Film texture: 35mm film grain, Kodak Vision3 500T aesthetic, aspect ratio: all shots must be in 16:9 cinematic widescreen (mandatory). Skin texture: hyperrealistic- visible pores, wrinkles, natural blemishes * zero retouching flaws * zero retouching, realistic human texture * skin texture more lifelike, just like a real person. Lighting: * natural light preferred * real shadows * ambient light fully affects skin tone. Motion blur: moving shots must have shutter blur effect, maintaining the same location as the original image: the same street, bridge, room, studio, beach, or architectural structure. It cannot be replaced by an entirely different place. Due to changes in camera angle, new environmental areas are allowed and expected. When new perspectives appear, they should reasonably extend based on the original environment (same buildings, railings, road markings, wall surfaces, colors, materials, lighting styles, etc.), as if the camera is moving in the same location. Close-up body parts (1-2, sometimes 3): Each editing selection should include 1-2 main body parts close to the lens (more complex poses can reach 3). Each image must vary without repeating the same part. Parts that can be brought close to the lens include: one or both hands/fingers reaching towards the lens; one or both feet/shoes/boots in front of the lens; knees or thighs; face very close to the lens; shoulders or upper body close to the lens due to a shrug or forward-leaning posture. These parts must be very close to the lens, nearly touching it, allowing for visibility of skin texture, fabric texture, and real wide-angle distortion. Poses and overall body (complex and diverse): Create strong, cool, dynamic poses suitable for extreme angles. Randomly use different types of poses, including: standing with hands or feet reaching towards the lens; squatting or half-squatting close to the ground; sitting on the ground or an object; lying on the ground with legs or feet towards the lens; leaning forward intensely; twisting the body, crossing legs, arching the back, etc., with dynamic lines. Complex poses may occur, such as: both hands close to the lens making gestures (peace sign, triangle, compositional frame, pointing at the audience); both feet facing the lens; one hand and one foot simultaneously enlarged in the foreground; face close to the lens while also having hands or feet in the perspective range. Maintain reasonable human anatomy even under extreme perspective. The face must belong to one person. --ar 2:3 --v 7 --style raw --weird 45 --stylize 100

中文提示词：一个东方年轻美丽女人不紧不慢提起茶壶，手腕微压，水柱旋滚倾落，如雪练撞在杯壁上发出轻响。 那茶叶色如嫩笋，浅绿均匀，在沸水里翻转似游鱼。水色渐渐染上绿意，淡香升腾而起，水柱粗细高地有序变化。全长调、低长调作品为主，擅长捕捉自然光线，光影对比突出，人脸常一侧被光线照亮，一侧处于阴影中，或者是人物主体处于阳光下，背景是阴影，画面有比较强烈的明暗对比，突出面部轮廓，细节丰富，层次分明，塑造了人物的立体感，增加了画面的深度。对角线构图，色彩风格浓郁，进行冷暖搭配，暖色调高饱和中高明度，冷色调中低饱和度和明度，画面呈现印象派油画般质感，传递着慵懒和热烈。用胶片风格定格日常生活的瞬间，画面兼具典雅和法式乡村的闲适，营造温暖静谧的氛围感。胶片质感： 35mm 胶片颗粒，Kodak Vision3 500T 美学，画幅比例： 所有镜头必须为 16:9 电影宽银幕（强制）。皮肤质感： 超写实（hyperrealistic） 可见毛孔、皱纹、自然瑕疵 * 零修图瑕疵 * 零修图，真人质感 * 皮肤质感更真实，跟真人一样光线： * 自然光优先 * 真实阴影 * 环境光完全影响肤色运动模糊： 移动镜头需有快门模糊效果，必须保持与原图相同的地点：相同的街道、桥梁、房间、棚拍场地、海滩或建筑结构。 不可替换为完全不同的地方。 因为相机角度改变，允许且预期会出现新的环境区域。 当出现新视角时，应基于原环境进行合理扩展（相同的建筑、栏杆、道路标线、墙面、颜色、材质、光照风格等），就像相机在同一地点移动一样。 靠近镜头的身体部位（1–2 个，有时 3 个）： 每次编辑选择 1–2 个主要身体部位贴近镜头（更复杂姿势可达 3 个）。 并且每张图都要变化，不能重复同一个部位。 可贴近镜头的部位包括： 一只或双手／手指伸向镜头； 一只或双脚／鞋子／靴子在镜头前； 膝盖或大腿； 脸非常接近镜头； 耸肩或前倾姿势导致肩部或上身贴近镜头。 这些部位必须非常接近镜头，几乎触碰镜头，能看到皮肤纹理、布料纹理和真实的广角畸变。 姿势与整体身体（复杂且多样）： 创造强烈、酷炫、富有动感的姿势，以适配极端视角。 随机使用不同类型的姿势，包括： 站立并用手或脚伸向镜头； 蹲姿或贴地的半蹲； 坐在地上或物体上； 躺在地上，双腿或脚朝镜头； 激烈前倾； 扭转身体、双腿交叉、弓背等动态线条。 可以出现复杂姿势，例如： 双手靠近镜头做姿势（剪刀手、比三角、构图框、指向观众）； 双脚朝镜头； 一手一脚同时在前景放大； 脸靠近镜头，同时手或脚也在透视范围内。 在极端透视下仍要保持合理的人体结构。脸必须是一个人的 一键画同款
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